Ballet for 16 dancers
Duration 25 minutes
Music
Manuel de Falla
Choreography
Thierry Malandain
Set and costume designer
Jorge Gallardo
Lighting design
Jean-Claude Asquié
Created
18 mars 2008 • Grand Théâtre de Luxembourg
Coproducers
Grand Théâtre de Luxembourg, Teatro Victoria Eugenia de San Sebastián, Opéra Théâtre de Saint-Etienne, Grand Théâtre de Reims, L’Onde de Vélizy-Villacoublay, Opéra de Vichy, Les Amis de Malandain Ballet Biarritz, Malandain Ballet Biarritz
Note of intent
L’Amour sorcier takes place in the abode of gypsies of Andalucia, in an atmosphere of superstition and sorcery. There we’ll see the love of Candelas and Carmelo troubled by the apparition of the ghost of a young man who before his death was Candela’s fiancé. The curse will definitively be broken when Candelas manages to redirect the jealous attention of the ghost toward another young girl. Without divesting l’Amour sorcier completely of its picturesque andalucian features, it is to the perennial cycle of life and death that I am attracted. Through this choice and following a viewpoint that makes the subject universal, the principal roles will in part be interpreted by the whole company. Finally, the stage is covered with petals the color of burnong cinders. Black roses that love has run away from, until it comes back.
Thierry Malandain
A very personal vision of l’amour sorcier, based on judicious dramaturgical choices and by a body language which is in the purest Malandain style.
La Terrasse, Nathalie Yokel • April 2008
L’Amour sorcier, with its dark sets, its heavy atmosphere, multiplies alignments, crossing movements and associations until it looks like a swarm of people. In that ceaseless geometry, the technique of the dancers is all the more undeniable : their energy, their synchronic jumps, their perfectlykept positions result in their group work being a visual shock, with very strong moments. I leave the theater as if regenerated by the charm, the power of that company.
Danser en France, Airen • April 2008
This is followed by l’Amour sorcier which was extremely successful. There, dance follows the main themes of the tale from Andalusia that is always danced by the full company. Only once does a couple perform in a magic pas de deux. Une prestation grandiose avec une vision radicalement nouvelle du ballet classique.n scène : ils ont en commun l’intelligence des corps et de la dramaturgie.
Kölnische Rundschau •25 October 2008
Contacts
Malandain Ballet Biarritz
Yves Kordian – directeur délégué – y.kordian@malandainballet.com
Lise Philippon – chargée de diffusion +33 (0)5 59 24 96 98 – l.philippon@malandainballet.com