Noah - Creation 2017 Malandain / Rossini


 

“In the Flood myth common to various different cultural traditions, the jubilant gure of Noah embodies a kind of breakthrough in humanity’s history. In summing up the past and preparing us for the future, Noah symbolises the coming of a new and better world. This second Creation erases the rst, which has been wrought by the machinations of evil and humanity’s degeneration. This is a new Adam, drawn from water rather than the earth, who, in Genesis, acts rst as a mortal and then a symbol of life because, upon leaving the womb and cradle that is the Ark, Noah and his offspring will repopulate the world.

This epic tale is one in a long line of similar stories and can be interpreted on several levels. Saint Augustin sought to show that the Ark’s proportions were the same as the human body’s, “which is also the body of Christ, which is also the Church”, while Paul Claudel saw the salvational Ark as a cathedral, its nave the prow of a ship navigating the heavens.

We might also imagine Noah as humanity collectively seeking refuge within itself to cast off a past existence and start afresh, mining the abyss of its own being for new sources of energy. That is why, with the exception of the dove - a sign of hope in a new life -, we will not board all the animals. Instead, the movement of humanity will be represented by the symbolic, dancing gure of Noah beneath the light of a new sun.”

Thierry Malandain 


CREATION 2017

 

Creation / Basque Eurocity

Teatro Victoria Eugenia de Donostia / San Sebastián

January 14th and 15th 2017

 

Creation / French Premiere

Chaillot - Théâtre National de la Danse (Paris)

beetween May 10th and 24th 2017

 

Music Gioacchino Rossini - Messa di Gloria

Choreography Thierry Malandain

Set and costumes Jorge Gallardo

Lighting design Francis Mannaert

Dressmaker Véronique Murat

Set and accessories production Frédéric Vadé

 

Coproducers Chaillot – Théâtre National de la Danse (Paris), Opéra de Saint-Etienne, Donostia Kultura - Teatro Victoria Eugenia de Donostia / San Sebastián – Ballet T, CCN Malandain Ballet Biarritz

 

Partners Opéra de Reims, Théâtre de Gascogne - Le Pôle, Theater Bonn (Germany), Forum am Schlosspark - Ludwigsburg (Germany)

 

Lenght 70’

Ballet for 22 dancers